■スポンサードリンク
スノウ・クラッシュ
新規レビューを書く⇒みなさんの感想をお待ちしております！！
【この小説が収録されている参考書籍】
スノウ・クラッシュの評価:
| 書評･レビュー点数毎のグラフです | 平均点4.10pt | ||||||||
■スポンサードリンク
Amazonサイトに投稿されている書評･レビュー一覧です
※以下のAmazon書評･レビューにはネタバレが含まれる場合があります。
未読の方はご注意ください
全1012件 781～800 40/51ページ
| ||||
| ||||
|---|---|---|---|---|
| Wow! You kind of have to be a computer programmer and futurist and have a forgiving mind for discrepancies, but it is fast-paced, in general, goes far into the future and past, posits a near future that is a reasonably extrapolated version of our lunatic society, and has a weird plot. I liked it. My wife shouldn't even get close to the book. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Now I understand why this book is a classic. I love how Stephenson intertwines elements of future tech, politics, and culture with philosophy both old and new. Though at times I had a difficult time visualizing some of the scenes he described, it didn't detract from the fun I had reading the alternating narration from the two main characters, Hiro Protagonist and Y.T. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| The book that taught me how to write. Read it if you're at least 16. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Hero Protagonist is the sword wielding ninja pizza deliveryman that takes cyberspace beyond Gibson. You must read.this. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Bought this nook as an introduction to science fiction. So glad I did. It is a fast paced and fascinating read. Enjoyable from the very first words. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Future sci-fi well done! | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Great mix of futuristic, historical, and mythological with a fun sense of humor. Classic Stephenson ;) | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Pretty good | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| This is one of my most favorite stories of all time. There are a lot of things that have changed since it was written that have invalidated some of its premises but if you read it with that in mind, it is a fantastic story. The themes and situations however are still relevant. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Not the Neal Stephenson I was hoping for. While the storyline was interesting enough, the made up world and devices were too much sci-fi, too little reality for my taste. In addition, the over use of lingo and euphemisms in the character dialog was tiresome and distracting. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| I liked the bizarre future it predicts for the world and its wacky assortment of anti heroes and offbeat villains | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Very cool book. Part science fiction, part editorial, part history lesson, part imagination and part reality. It would be a 5 star if the ending - although satisfying - were a little more drawn out. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Snow Crash begins exactly like the late 1980s comic it was originally intended to be. The style is highly visual and deliberately exaggerated, you could picture it appearing in Deadline, 200AD or Heavy Metal. As the story goes along Stephenson adds layer upon layer of concepts and ideas, building and adding complexity to the story. The idea of visual programming through language and ancient religion is patently ridiculous and yet it works well in the context or the story and gives it a sort of semi-intelectual credence that you wouldn't expect from the style. This is a big, bold, hyperbolic, humorous take on the cyberpunk genre. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Meh | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| It is a great sci-fi adventure that is well written and chocked full of things that have actually come to be a common place in today's society! I want to start reading it all over again! | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Intersesting and erudite as usual. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| There were definitely things I liked about this book, and most of those things are introduced early on. The world that Stephenson creates is rich, interesting, believable, and fun. The tech that populates this book is interesting, original, and all with practical aspects but plenty of cool factor. The slang and cultural artifacts that help to place the reader in the world of the novel weren't overdone, nor are there long portions of exposition; the reader is trusted with figuring things out, which generally wasn't too hard. The characters were credible, though a little flat. Everyone was fairly quick to pick things up, they spoke in similar ways, and they had to explain their motives. I tend to prefer a bit of vaudeville, which is to say, I like a villain to be villainous; not cartoony, but to have some really despicable aspects. This novel, on the other hand, had a hard time convincing me that anyone was the villain. I knew one guy was definitely dangerous, but the main villain was tought to get a grasp on. And I suppose that points to the book's main downfall: it's muddy. Even the action sequences were hard to follow, because they simply weren't described clearly. The motivations of the main characters (including the book's protagonist, Hiro Protagonist, har har) seemed to be primarily self-preservation, but the motivations of the ancillary characters were never very clear, which made some of their actions seem very illogical. One other sin this book committed: there was an exposition speech which lasted at least 3 chapters. Seriously. The hero has to explain something to some side characters (a topic which he'd in fact only discovered a couple of days prior, yet somehow he quickly became an expert in spite of spending most of his time fighting) and it's essentially a monologue; the only breaks are for them to ask inane questions designed simply as transition points, like: "Well, surely you can't mean that..." "But if what you're saying is true, then..." And the speech goes on for chapters. The topic was interesting, but it just rambled. The section should have been edited dramatically, and the fact that it was included really annoyed me. The book had some really fun aspects, and if this were ever made into a movie, I'd want to see it, just to see the world that Stephenson created, along with some of the technology. But I wound up forcing myself to finish this book. (One last point, minor spoiler alert: one of the main characters in this book is 15 years old, and there is a scene where she has sex with a grown man, an assassin. The fact that that was included really put me off, too.) | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| Good read. Give a look at the future that's already almost here where people spend as much or more time in the virtual as they do in the real world. | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| My feeling is, you either really dig Stephenson's stuff or forget it. I tried, I really did. But after awhile I just felt too disconnected. I was too much cool hip nerd stuff and nothing to hold onto. I stopped 2/3rds through. Couldn't give it anymore time Most likely it is a genre of fiction I'll never quite grasp | ||||
| ||||
|
| ||||
| ||||
|---|---|---|---|---|
| I really enjoyed reading this book. I recommend it to any person who enjoys reading about technology. | ||||
| ||||
|
■スポンサードリンク
|
|
|
新規レビューを書く⇒みなさんの感想をお待ちしております！！