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フィレンツェに消えた女
新規レビューを書く⇒みなさんの感想をお待ちしております！！
フィレンツェに消えた女の評価:
| 書評･レビュー点数毎のグラフです | 平均点3.36pt | ||||||||
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全42件 1～20 1/3ページ
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| Ending is very poorly done. The two separate stories would have been interesting on their own. Did not enjoy the book and would not recommend it. | ||||
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| I found this a very unsatisfactory book and full of minor annoyances. Can anyone be tall and stocky? The plural of fish is not fishes. Surely people had telephone extensions on other floors by 2009? I always understood the Madonna to be the mother of Jesus and not God. This is the second and last Dunant book I shall read, Transgressions was just plain nasty | ||||
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| As described | ||||
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| it wasn't among my favourites. So far I have loved absolutely everything (later books) written by Sarah Dunant; this (earlier) one not so much. | ||||
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| Even though I didn't really get the ending... | ||||
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| Disappointing from this author compared to Birth of Venus | ||||
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| A departure from Sarah's usual books but set in her beloved Italy .This is another great book ,well written intriguing and beautifully crafted | ||||
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| I love Sarah Dunant and this book is probably my favorite, although it's hard to compare it with her historical novels, which are fascinating and absorbing. The different perspectives and possibilities presented are captivating and keep you anticipating the next page. | ||||
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| The author chose to write two parallel stories from the same basic set up. I found the layout of chapters for each story were not clearly identified, making reading them more challenging. I also felt that because the author did not stick to one story line the character development suffered, details were missing and the quality of the writing suffered. I will say, to the author's credit, this book led to a very lively discussion at book club. | ||||
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| Absolutely NO ENDING!!!!! Honestly just don't read it. I've never left a negative message before but this was ridiculous. Disappointed | ||||
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| If you’re a fan of Sarah Dunant you’ll enjoy this story. It takes the form of a dual narrative, interweaving two different experiences taken by Anna who “goes missing”. I liked the twisting structure and was interested in finding out how Anna felt and acted in her differing circumstances. This type of storytelling has been repeated often since the book came out in 1999 but it’s still worth a read to enjoy Dunant’s effective, engaging storytelling. | ||||
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| Normally love Sarah Dunant but this book is terrible. | ||||
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| Very Good | ||||
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| Did not like it as much as Dunant's other books that I have read. | ||||
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| not her best book, but please read the historical ones. | ||||
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| Anna has gone away for a short stay in Italy, but doesn't return. Was she delayed by a lover, or waylaid by a stranger? | ||||
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| Well written, good characters, the story was confusing, frustrating....would not read this author again. Was Anna with her lover or her captor? | ||||
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| Pretty good read- not sure the ending was totally believable-great story line. | ||||
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| Every Sarah Dunant novel is a delight. 'Mapping the Edge' is original, surprising, and gripping, a page-turner demanding that you keep up with its twists and turns. Like the film 'Sliding Doors' she offers alternate scenarios for her central character, the enigmatic Anna, but with technical prowess and her experienced pen, Sarah Dunant creates a much more subtle, complex story of a troubled and dissatisfied contemporary woman. The backdrop of Anna's less-than-conventional family set-up provides an unlikely rock supporting the fragile double existence of Anna. But Anna's adventure in Italy proves to be an unexpected foray into the imaginative mind of possibilities. Is Anna going to join a lover she has met via secret dating, or is she the victim of a predatory madman? Is the whole story make-believe on Anna's part or is she covering up her real life? Is she a victim or an exploiter? Is any of her story true? Weaving fiction on fiction, intertwining her threads with typical Dunant dexterity,the reader is left wondering if the whole novel is a ghost story, a study in duplicity and deception, or a social comment on contemporary family structures with a sensational plot. Sarah Dunant's writing has never been more edgy, more tantalising. She never shirks implications, never states the obvious. A novel of our time, unpredictable and tantalising, 'Mapping the Edge' uses standard contemporary romance tropes - Anna flying to meet her lover in Florence, the Gothic ghostly alternative story, mail-order dating - but this isn't your conventional romance. If you want something rather different from the usual romantic novel, a story to challenge your imagination, then this is it. | ||||
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| A modern thriller, set it Italy. It becomes increasing convincing as the story goes on. The device of three separate stands of concurrent narration worked well. Read it, you will love it. | ||||
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新規レビューを書く⇒みなさんの感想をお待ちしております！！